Donna the Buffalo
Donna the Buffalo offers everything you want in a roots band -- songs that matter, a groove that makes you dance, an audience t hat spans generations, and a musical voice that evokes a sense of community.
Donna The Buffalo is not just a band, rather one might say that Donna The Buffalo has become a lifestyle for its members and audiences. The band has played thousands of shows and countless festivals including Bonnaroo, Newport Folk Festival, Telluride, Austin City Limits Festival, Merle Fest, and Philadelphia Folk Festival. At several festivals Donna The Buffalo has become the house band for closing the events by backing up artists including The Avett Brothers, Keller Williams, Zac Brown, Bela Fleck, John Paul Jones, and Chris Thile. They’ve opened for The Dead and have toured with Peter Rowan, Del McCoury, Los Lobos, Little Feat, Jim Lauderdale, Rusted Root, and Railroad Earth to name a few. They also toured with Ben & Jerry’s co-founder Ben Cohen to help raise awareness about increased corporate spending in politics. In 1991, the band started the Finger Lakes Grassroots Festival in Trumansburg, NY. The four day festival has become an annual destination for over 15,000 music lovers every year and was started as an AIDS benefit. It continues as a benefit for arts and education. To date, the event has raised hundreds of thousands of dollars and is now one of three Grassroots Festivals; the Bi-annual Shakori Hills fest in North Carolina and Virginia Key festival in Florida. In 2016 GrassRoots Culture Camp was introduced in Trumansburg, New York as four days of music, art, dance and movement workshops, including nightly dinners and dances.
Donna the Buffalo draws on a lot of musical influences, from country and rock ‘n’ roll, to bluegrass and old-time fiddle, as well as Cajun and Zydeco. In many ways, they were Americana before the term was ever coined. The common thread? Songs of the human spirit, and an incredibly tight relationship with their fans.
“The fans, they show up to be a part of it. We show up to be a part of it,” Puryear says. “And we don’t have an intimidating vibe where we’re different than them. If a scene is really on, it doesn’t matter whether you’re watching, listening, dancing, or playing – it’s on, everybody knows it’s on and it feels great! I think that’s the nature of the connection.”
